I was sent this link of a review today of the movie produced by Tony Palmer titled "O Thou Transcendent" from theStar.com. It is a documentary of the life of Ralph Vaughan Williams, the extraordinary early 20th century British composer.
Known as the English Ethnomusicologist, at a time when Ethnomusicology was very much in vogue (Bartók, Kodàly, Sibelius, Grieg just to name a few other prominent musicians interested in incorporating their homeland folk songs into their repertoire with considerable success).
I have been an RVW fan for about as long as I can remember, and yet I am still amazed at how much of his choral music is not performed outside of his own country, or at least outside of “Anglican” centres of music. From numerous anthem like “Lord, Thou hast been our refuge”, “O How Amiable are thy Dwellings” or “Let us now Praise Famous Men”, to large orchestra/choral works like his “Fantasia on Christmas Carols” (where he made the “Sussex Carol” famous), and some secular works like his hauntingly beautiful “Three Shakespeare Songs”, and the list goes on. His orchestral music has made a certain impact, many people will have heard, or recognize “The Lark Ascending” and “Variations on a theme by Thomas Tallis”, but how many of you know his Harmonica Concerto (Ok, they can’t all be winners…)
1 comment:
I'm in agreement about the return to a gentler music, but do we really have to call it 'neo-romanticism' . . . anything 'neo' is so un-romantic. :-)
P.S. Vaughan Williams was an early favorite of mine. I may not have sung him at church, but certainly at high school.
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